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Soft Cell's Creative Genius Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) established Soft Cell alongside Marc Almond in Leeds in 1977

The talented musician, a key member of the pioneering 1980s electronic music duo Soft Cell, has passed away at the age of 66.

Together with vocalist Marc Almond, the team scored a worldwide hit with their cover of Gloria Jones' Tainted Love in the mid-80s, and their first record their initial full-length release is considered a seminal work of synth-pop.

He subsequently formed the innovative techno group The Grid, who secured popular acclaim with 1994's Swamp Thing.

Ball passed away calmly in his rest at his home in London on October 22, only a short time after playing a featured performance with Soft Cell at the Rewind Festival in Henley-on-Thames.

Health Struggles

At that show, Ball appeared in a mobility chair, as he had for the last two years, following a spate of health issues.

"I ended up damage myself quite a bit," he commented in a recent interview. "I broke spinal bones in my spine and cracked about five ribs and broke my wrist."

After catching a lung infection and suffering from blood poisoning, he was placed in an induced coma and remained in the hospital for seven months.

However, he had been in "a great place mentally" during the summer, as he worked on a fresh record with Almond, called Danceteria, which is set for release next year.

"He was concentrated and so happy with the new album that we actually finished only a short time ago," said the vocalist in a tribute.
"It's so sad as next year was completely planned to be such an positive year for him, and I take some solace from the knowledge that he listened to the completed album and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the electronic music scene in the beginning of the decade

Tributes

Almond described his collaborator as "an exceptionally talented creative mastermind", stating: "He was the heart and soul of Soft Cell and I'm extremely pleased of our legacy.

"Thank you Dave for being an immense part of my existence and for the music you created with me. I couldn't be where I am without your influence."

Richard Norris from The Grid, also paid tribute, remembering Ball's "endless laughter" and "unwavering friendship".

"Forming a partnership with someone is distinct from joining a band, the bond is very tight," he added.
"That was the case with us. We experienced so many remarkable, extraordinary, memorable experiences together. Thank you, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in recent years

Formative Years

Brought into the world into a single-parent household in Chester in 1959, Ball was put up for adoption when he was 18 months of age.

He grew up in Blackpool with adoptive parents his caregivers, who changed his first name from Paul to David, alongside his sibling Susan, who was similarly welcomed.

He met Almond at an art college in 1977, where they were both learning fine arts. Fuelled by a shared love of Northern Soul, they established Soft Cell the very year, and quickly produced an EP.

Creative Collaboration

The duo were an unusual combination: Ball was the quiet technician, hunched over his keyboard, while Almond was a charismatic showman, all sparkle and eye-liner; but they attained a rare musical alchemy.

Ball had developed a interest with synthesizers after watching Kraftwerk perform on BBC program a popular series, and began to combine dark electronica to the catchy tunes Almond was composing.

Tainted Love became the UK's second biggest-selling song of the early 80s, selling 21 million copies worldwide. Together with hits by other artists, contemporary bands and electronic acts, it helped paved the way for the synth-pop sound of the 1980s.

The track was also included on their full-length debut, their initial LP, which produced two additional top five singles: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the stand-alone single, Torch, which peaked at the second position in the following year.

Soft Cell in the studio
The pair were working on new material until just before Ball's death

Career Highlights

Fame had its upsides. "I loved being able to purchase my first home, having financial security and travelling, which might seem like a beauty queen," Ball not long ago told with a publication.

But it also presented challenges. "Newfound wealth meant we could afford substances to alleviate the monotony" of media interviews and television shows, Ball said.

"I know that's a cliché, but it's a cliché for a valid cause, because it works for so many bands."

Amidst the hedonistic lifestyle, the pair were also drifting apart, but they succeeded to create a follow-up classic album - the unconventional, edgy and fittingly named The Art Of Falling Apart.

They put out another LP, their 1984 release This Last Night In Sodom, before dissolving the band to focus on individual endeavors.

Almond proceeded to have a prosperous individual path, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed acid house with ambient pop over a long-lasting partnership.

Later Work and Comebacks

Soft Cell came back together in the early 2000s, producing the Top 40 album Cruelty Without Beauty.

Following another break, they returned in recent years, issuing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a final performance at the O2 Arena on September 30, that year.

Yet, they remained together, recording their latest project, Happiness Not Included, during the 2020 Covid lockdown.

Ball recently described the band's upcoming release as a tribute to the NYC nightlife they visited while making their initial records.

He noted that his time in medical care had shaped the band's sound.

"I had strange recollections when I was in and out of hospital because I was on morphine," he told a music magazine.
"The new songs are a electronic representation of the sounds in my mind from that time.
"In parallel, it's about the experiences we had in the 1980s."

The last versions were completed only days before Ball died. It is due for release in the spring of 2026.

The writer

John Bradley

Lena Visser is a tech journalist and content strategist based in Amsterdam, covering European innovation and digital trends.

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